Thursday, November 2, 2017

11.2.17




Alki



At your house, we welcomed storms,
whatever would roll off the gray sound
and come to rest at the toe,
eventually.

Through beads and colored glass
we could see those on wings
still rapid, not yet put down on paper
and it was to easy to imagine trapping then
on a long kite string.

Other neighborhoods don’t feel like this,
touching wooden boats and smelling like
the damp between the stones,
because other neighborhoods aren’t like this.
Even this neighborhood is no longer like this;
the longboat houses with crows nests
and portholes,

are all now replaced.

Tuesday, August 15, 2017

8.15.17




8-9-17





Even when I speak
I ask for silence,
its safety the envolture
of skin and feathers
that exonerates.


Bird calls are given human words
for ease of memory.
“Oh me, oh pretty-pretty me!”
So we can select it out of the void
and know it by voice and plumage.


Silence doesn’t always mean listening,
but lately, at night,
I hear geese.
Something is ready,

like a blister just beneath my skin.

Friday, August 11, 2017

8.11.17




8-9-17




The world just keeps on ending;
Apocalypsis.
My garments are all rent,
And my nakedness is a further outrage.
Now the wailing has ceded
To the thought that
Maybe grief is not a process.


I am ready to hopscotch into the fire,

Just to get it over with.

Tuesday, June 6, 2017

6.6.17




5-18-17



Ask us to sing, or not,
Either way we are listening.
Holding hands, in throats a question,
We know the response is silence.
Not out of thought, or
Better judgement
But
Of absence.

Lack, the scraped inside
Relieved of its voice.
It isn’t pat, and the platitudes
Still escape us
Not ready to acknowledge
The void.
The vibrations stilled,
Broken but
Not bloody.
I don’t want to think of the colors;
Ours are white and bloodless, waiting.
While in the center of our circle,

Bulges a mountain of flowers.




(I wrote this for Chris Cornell. Compared to what he could do, it seems very small indeed)

Friday, June 2, 2017

6.2.17



5-16-17



What do you care if I’m made
Of bricks or clay,
Patched with straw or gold?
What do you care if I’m even a vessel.

I can promise to carry water for the people
And never do it.
Or every day save from thirst
And your face is blind to it,
Soft and rubbery and blind.
I am not sure if you even see colors.

I hate in the mirror I increasingly see your face.
Hate,

Oh, I know. I know.

Thursday, April 13, 2017

4.13.17

I am bored of not updating, but still not sure what is the reason for doing this. I'm not going to feel guilty for posting or not posting.




4-9-17



The cycle is trough-to-crest;
and at the highest point
it is torn to shreds of foam,
only holding up hook-limbed gulls.

I have been following it,
humming along in my cavities
with the oscillation.
A circle is also a wave
is also the pulse in my lower lip.

The roundness represents breath,
a thick bone cage on a stem of flesh,
not bound by heliotaxis,
it eventually finishes curving,
the light only touching one side.
Breathe in, and be locked in gray,
breathe out
and explode into feathers.

Blood flows in convection
like a thunderstorm.
The pulse stands out
like the hair on your arms.
Breathe in because that must happen next,
squeeze the center as trough
becomes apex
and changes form.




A few things: I wasn't writing or uploading anything because it felt kinda pointless, since I have one reader (hi Ben). Some people believe you do art for art, or for yourself, but I think there is more to the relationship between a creator/creation and its audience than that. Part of my lack of readers is that I do not plug this blog at all, anywhere. I don't want to seem like I'm bragging, or trying to come across as some personality traits that I am not by virtue of writing poems (which tend to be seen as outlets for negative emotions by the general population), or desperate for "likes". However I'm not sure how anyone would find it otherwise, especially if they did not know what they were searching for. Part of posting poems by other authors was in an effort to look less self-centered, and give an aura of respectability (ie "this is a blog about poetry, therefore, high art!" rather than "come read my emotional barf"), but that became pointless too, since I wasn't searching out anything in particular, and only copy-and-pasting things that came into my email. What is the point in doing that?

I don't know if there is a way to seek an audience without looking like any of the things I'd like to avoid. There are a lot of things in life that are best done alone, and perhaps the writing process is one, but it can't end there so I have to change something for me, otherwise this part of the process (and sorta in turn, the rest of the process) becomes pretty pointless.

Wednesday, February 1, 2017

2.1.17


Elegy for a Year


Joseph Fasano


Before I watched you die, I watched the dying
falter, their hearts curled and purring in them

like kitfoxes asleep
beside their shadows, their eyes pawed out by the trouble

of their hunger. I was
humbling, Lord, like the taxidermist’s

apprentice. I said
yes, and amen, like the monk brushing

the barley from the vealcalf’s
withers, the heft of it

as it leans against his cilice. 
Winter, I have watched the lost

lie down among their bodies, clarified
as the birdsong

they have hymned of.
I have heard the earth sing longer than the song.

Come, I said, come
summer, come

after: you were the bull-elk in the moonlight
of my threshold, knocking off the mosses from its antlers

before it backed away, bewildered, into foliage.
You were thin-ribbed, were hawk-

scarred, were few. 
Yes, amen, before I heard you giving up

your singing, you were something stumbling hunted
to my open door; you were thinning with the milkweed

of the river. Winter, Wintering, listen: I think of you
long gone now

through the valley, scissoring
your ancient way

through the pitch pines. Not waiting, but the great elk
in the dark door. Not ravens

where they stay, awhile, in furor,
but the lost thing backing out

among the saplings, dancing off the madness
of its antlers. Not stone, not cold

stone, but fire. The wild thing, musk-blooded, at my open
door, wakening and wakening and

wakening, migrations
in the blindness of its wild eyes,

saying Look at them, look at how they have to. 
Do something with the wildness that confounds you.