Tuesday, November 29, 2016

11.29.16

It's about time I shared something with you from the November edition, because my next one has already arrived. I fear I'll never catch up. There is a lot in here, and since I have no idea how they are chosen or laid out, I would love to assume they are chosen to mesh with each other and be greater than the sum of their parts. I wish I had written down a few thematic ideas when first I read them, because of course now I can't remember anything, except perhaps things happening at night. Picking this one out makes me think rebirth, but that's probably confirmation bias. This is by Bob Hicok, and you can find more of his work online, so please help yourself.




A well-stocked pantry

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My wife went into the pantry for peaches
but came out with a baby — I hadn’t noticed
the house was pregnant, she said — 
it was crying, so I cried back — 
then she cried, the woman I barely know
after sixteen years — why just the other day,
she told me she’d always been afraid
#2 pencils might be made
of what they’re named — but even crying
it was cute — pink and scrunchy-eyed — 
like a newt balloon someone had blown up
until puffy and ready to pop — 
it was as if the universe decided
it was time to act our age — that’s
when we threw all our heroin out — 
took the high-wire down and stopped
skeet shooting in the living room — 
and as much as I miss yelling Pull
while stoned and standing on the edge
of the air, looking into the abyssal fall
I sorta desperately want, someone’s
gotta change the diapers and burp the thing
when it fills with swamp-gas or whatever
that is — the miracle, you know, of birth
is that my wife and I gave up hang gliding
for making the nummy sound against the belly
of the beast who showed up and took over — 
just as once, I shot the rapids, popped out,
squirmed against my mother and destroyed
every other future she might have lived
but one — long before I could speak,
I was cruel — for a few seconds,
I let my mother believe I was everything
she ever wanted — and even now, decades after
my few perfect seconds as a baby, if I called,
at the first unexpected brush of Hey, ma
against her ear, she’d still be hoodwinked
by the tidal pull of my voice
on the ghost of a womb they long ago
ripped out, that she was holding
a full moon in her arms




Dog Head 


Benjamin Goldberg



Our mascot was the bulldog. Bulldogs chased me across playgrounds
until I dreamed them. In class, I finished mazes with a green crayon.
Hedges grew skyward from pages, and I ran. My dad once called
this kind of thing my day-head. When my day-head happened,
they called him at his office. I learned the name Daedalus from an article
I read for science class. It meant a plane with leg-powered wings — 
carbon tubing, plastic skin. A man with a long name flew a longer way
across the sea from Crete. At recess, I reread the same book
of illustrated myths and cryptids. I dreamed of bulldogs with bulls’ heads.
My day-head was a zoo where gods slept. Daedalus sounded like dad,
so I loved him. Class was an enclosure made of cinder block
and twelve weeks without winter. Behind the glass, my day-head paced.
Daedalus was a zookeeper. I dreamed of a god with a bull’s body
and a hood sewn from my face. The article said I weighed the same
as the Daedalus. I traced flight plans and crash sites on my desk.
My teacher asked us to draw self-portraits. The trees were hydras.
On the paper, I drew an outline of my face. I cut my eyes out
with scissors. They called me to the office, and Daedalus was waiting.
I found a bulldog in a magazine and drew a maze inside each iris.
We played tug-of-war in gym. My day-head was a knotted rope
dangling from steel rafters. I pushed my thumb into the sun. I fell once.
I cut the bulldog from the page, then ripped his head in two.
I glued one half over the left side of my face. I left the right side blank.
The article said the Daedalus crashed twenty-one feet from the black sand
of a beach on Santorini. My day-head was a Kevlar fuselage
belly-down in the sea. They called home. I ran home.
On the right side of my face, I drew a sunny day. I signed my name.

Wednesday, November 23, 2016

11.23.16

Here are some words for the holiday weekend. I hope to be back with some more content in my time off. I like content as a two-faced word; however currently at odds the faces may be.





11-17-16



Thinking in verse
I penciled cross words
as we flew.

Not looking for love,
logic or a life vest;
becoming immune

to the furrowed pelt
of the earth below
and the plumes

of lenticular clouds.
Aloft, I cram
words and complain about rules

and noises breaching
the border of the
engines' feathered crooning.

Make things fit like
we fit, barely: coming out
of our bags and our shoes.

Is this the way we
are supposed to touch the sky?
I ask you.

Thursday, November 17, 2016

11.17.16

I've gotten two editions of Poetry magazine, and have been reading and doing a few annotations, but haven't decided which things I want to share. (All is not likely, but its how I lean). I haven't read the commentaries in the back, I'm not sure why I skipped over them, maybe I'll return to them later. Here are two poems for you that are not from the magazine, and don't have anything to do with each other (yet).




Song as Abridged Thesis of George Perkin Marsh's Man and Nature



By Major Jackson



(Poem on the Occasion of the Centenary of the National Park Service)

The pendulous branches of the Norway spruce slowly move
as though approving our gentle walk in Woodstock,
and the oak leaves yellowing this early morning
fall in the parking lot of Marsh-Billings-Rockefeller. 
We hear beneath our feet their susurrus
as the churning of wonder, found, too, in the eyes of a child
who has just sprinted toward a paddock of Jersey cows.
The fate of the land is the fate of man.

Some have never fallen in love with a river of grass
or rested in the dignity of the Great Blue Heron
standing alone, saint-like, in a marshland nor envied
the painted turtle sunning on a log, nor thanked as I have,
the bobcat for modeling how to navigate dynasties of snow,
for he survives in both forests and imaginations
away from the dark hands of developers and myths of profits.
The fate of the land is the fate of man.

Some are called to praise as holy, hillocks, ponds, and brooks,
to renew the sacred contract of live things everywhere,
the cold pensive roamings of clouds above Mount Tom,
to extol silkworm and barn owls, gorges and vales,
the killdeer, egret, tern, and loon; some must rest
at the sandbanks, in deep wilderness, by a lagoon,
estuaries or floodplain, standing in the way of the human storm:
the fate of the land is the fate of man.




Moon for our Daughters


Annie Finch




Moon that is linking our daughters’
Choices, and still more beginnings,
Threaded alive with our shadows,

These are our bodies’ own voices,
Powers of each of our bodies,
Threading, unbroken, begetting

Flowers from each of our bodies.
These are our spiraling borders
Carrying on your beginnings,

Chaining through shadows to daughters,
Moving beyond our beginnings,
Moon of our daughters, and mothers.