Tuesday, August 15, 2017

8.15.17




8-9-17





Even when I speak
I ask for silence,
its safety the envolture
of skin and feathers
that exonerates.


Bird calls are given human words
for ease of memory.
“Oh me, oh pretty-pretty me!”
So we can select it out of the void
and know it by voice and plumage.


Silence doesn’t always mean listening,
but lately, at night,
I hear geese.
Something is ready,

like a blister just beneath my skin.

Friday, August 11, 2017

8.11.17




8-9-17




The world just keeps on ending;
Apocalypsis.
My garments are all rent,
And my nakedness is a further outrage.
Now the wailing has ceded
To the thought that
Maybe grief is not a process.


I am ready to hopscotch into the fire,

Just to get it over with.

Tuesday, June 6, 2017

6.6.17




5-18-17



Ask us to sing, or not,
Either way we are listening.
Holding hands, in throats a question,
We know the response is silence.
Not out of thought, or
Better judgement
But
Of absence.

Lack, the scraped inside
Relieved of its voice.
It isn’t pat, and the platitudes
Still escape us
Not ready to acknowledge
The void.
The vibrations stilled,
Broken but
Not bloody.
I don’t want to think of the colors;
Ours are white and bloodless, waiting.
While in the center of our circle,

Bulges a mountain of flowers.




(I wrote this for Chris Cornell. Compared to what he could do, it seems very small indeed)

Friday, June 2, 2017

6.2.17



5-16-17



What do you care if I’m made
Of bricks or clay,
Patched with straw or gold?
What do you care if I’m even a vessel.

I can promise to carry water for the people
And never do it.
Or every day save from thirst
And your face is blind to it,
Soft and rubbery and blind.
I am not sure if you even see colors.

I hate in the mirror I increasingly see your face.
Hate,

Oh, I know. I know.

Thursday, April 13, 2017

4.13.17

I am bored of not updating, but still not sure what is the reason for doing this. I'm not going to feel guilty for posting or not posting.




4-9-17



The cycle is trough-to-crest;
and at the highest point
it is torn to shreds of foam,
only holding up hook-limbed gulls.

I have been following it,
humming along in my cavities
with the oscillation.
A circle is also a wave
is also the pulse in my lower lip.

The roundness represents breath,
a thick bone cage on a stem of flesh,
not bound by heliotaxis,
it eventually finishes curving,
the light only touching one side.
Breathe in, and be locked in gray,
breathe out
and explode into feathers.

Blood flows in convection
like a thunderstorm.
The pulse stands out
like the hair on your arms.
Breathe in because that must happen next,
squeeze the center as trough
becomes apex
and changes form.




A few things: I wasn't writing or uploading anything because it felt kinda pointless, since I have one reader (hi Ben). Some people believe you do art for art, or for yourself, but I think there is more to the relationship between a creator/creation and its audience than that. Part of my lack of readers is that I do not plug this blog at all, anywhere. I don't want to seem like I'm bragging, or trying to come across as some personality traits that I am not by virtue of writing poems (which tend to be seen as outlets for negative emotions by the general population), or desperate for "likes". However I'm not sure how anyone would find it otherwise, especially if they did not know what they were searching for. Part of posting poems by other authors was in an effort to look less self-centered, and give an aura of respectability (ie "this is a blog about poetry, therefore, high art!" rather than "come read my emotional barf"), but that became pointless too, since I wasn't searching out anything in particular, and only copy-and-pasting things that came into my email. What is the point in doing that?

I don't know if there is a way to seek an audience without looking like any of the things I'd like to avoid. There are a lot of things in life that are best done alone, and perhaps the writing process is one, but it can't end there so I have to change something for me, otherwise this part of the process (and sorta in turn, the rest of the process) becomes pretty pointless.

Wednesday, February 1, 2017

2.1.17


Elegy for a Year


Joseph Fasano


Before I watched you die, I watched the dying
falter, their hearts curled and purring in them

like kitfoxes asleep
beside their shadows, their eyes pawed out by the trouble

of their hunger. I was
humbling, Lord, like the taxidermist’s

apprentice. I said
yes, and amen, like the monk brushing

the barley from the vealcalf’s
withers, the heft of it

as it leans against his cilice. 
Winter, I have watched the lost

lie down among their bodies, clarified
as the birdsong

they have hymned of.
I have heard the earth sing longer than the song.

Come, I said, come
summer, come

after: you were the bull-elk in the moonlight
of my threshold, knocking off the mosses from its antlers

before it backed away, bewildered, into foliage.
You were thin-ribbed, were hawk-

scarred, were few. 
Yes, amen, before I heard you giving up

your singing, you were something stumbling hunted
to my open door; you were thinning with the milkweed

of the river. Winter, Wintering, listen: I think of you
long gone now

through the valley, scissoring
your ancient way

through the pitch pines. Not waiting, but the great elk
in the dark door. Not ravens

where they stay, awhile, in furor,
but the lost thing backing out

among the saplings, dancing off the madness
of its antlers. Not stone, not cold

stone, but fire. The wild thing, musk-blooded, at my open
door, wakening and wakening and

wakening, migrations
in the blindness of its wild eyes,

saying Look at them, look at how they have to. 
Do something with the wildness that confounds you.

Tuesday, November 29, 2016

11.29.16

It's about time I shared something with you from the November edition, because my next one has already arrived. I fear I'll never catch up. There is a lot in here, and since I have no idea how they are chosen or laid out, I would love to assume they are chosen to mesh with each other and be greater than the sum of their parts. I wish I had written down a few thematic ideas when first I read them, because of course now I can't remember anything, except perhaps things happening at night. Picking this one out makes me think rebirth, but that's probably confirmation bias. This is by Bob Hicok, and you can find more of his work online, so please help yourself.




A well-stocked pantry

Related Poem Content Details

My wife went into the pantry for peaches
but came out with a baby — I hadn’t noticed
the house was pregnant, she said — 
it was crying, so I cried back — 
then she cried, the woman I barely know
after sixteen years — why just the other day,
she told me she’d always been afraid
#2 pencils might be made
of what they’re named — but even crying
it was cute — pink and scrunchy-eyed — 
like a newt balloon someone had blown up
until puffy and ready to pop — 
it was as if the universe decided
it was time to act our age — that’s
when we threw all our heroin out — 
took the high-wire down and stopped
skeet shooting in the living room — 
and as much as I miss yelling Pull
while stoned and standing on the edge
of the air, looking into the abyssal fall
I sorta desperately want, someone’s
gotta change the diapers and burp the thing
when it fills with swamp-gas or whatever
that is — the miracle, you know, of birth
is that my wife and I gave up hang gliding
for making the nummy sound against the belly
of the beast who showed up and took over — 
just as once, I shot the rapids, popped out,
squirmed against my mother and destroyed
every other future she might have lived
but one — long before I could speak,
I was cruel — for a few seconds,
I let my mother believe I was everything
she ever wanted — and even now, decades after
my few perfect seconds as a baby, if I called,
at the first unexpected brush of Hey, ma
against her ear, she’d still be hoodwinked
by the tidal pull of my voice
on the ghost of a womb they long ago
ripped out, that she was holding
a full moon in her arms




Dog Head 


Benjamin Goldberg



Our mascot was the bulldog. Bulldogs chased me across playgrounds
until I dreamed them. In class, I finished mazes with a green crayon.
Hedges grew skyward from pages, and I ran. My dad once called
this kind of thing my day-head. When my day-head happened,
they called him at his office. I learned the name Daedalus from an article
I read for science class. It meant a plane with leg-powered wings — 
carbon tubing, plastic skin. A man with a long name flew a longer way
across the sea from Crete. At recess, I reread the same book
of illustrated myths and cryptids. I dreamed of bulldogs with bulls’ heads.
My day-head was a zoo where gods slept. Daedalus sounded like dad,
so I loved him. Class was an enclosure made of cinder block
and twelve weeks without winter. Behind the glass, my day-head paced.
Daedalus was a zookeeper. I dreamed of a god with a bull’s body
and a hood sewn from my face. The article said I weighed the same
as the Daedalus. I traced flight plans and crash sites on my desk.
My teacher asked us to draw self-portraits. The trees were hydras.
On the paper, I drew an outline of my face. I cut my eyes out
with scissors. They called me to the office, and Daedalus was waiting.
I found a bulldog in a magazine and drew a maze inside each iris.
We played tug-of-war in gym. My day-head was a knotted rope
dangling from steel rafters. I pushed my thumb into the sun. I fell once.
I cut the bulldog from the page, then ripped his head in two.
I glued one half over the left side of my face. I left the right side blank.
The article said the Daedalus crashed twenty-one feet from the black sand
of a beach on Santorini. My day-head was a Kevlar fuselage
belly-down in the sea. They called home. I ran home.
On the right side of my face, I drew a sunny day. I signed my name.